DETAILED NOTES ON CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They will often be yearning romantics, with this big difference: Buster would seem a plausible mate, and the Tramp rarely appears to have a libido, only idealized notions. If their comedies were manufactured in a more liberated time, it can be done to assume Keaton in mattress with a woman, but disquieting to think about the Tramp like a sexual cur